Chinese traditional furniture generally refers to various types of furniture based on traditional shapes and practices and developed on the basis of inheriting traditions, including all kinds of furniture made of mahogany, hardwood, neutral wood and other materials. In terms of production technology and product appearance, the first is to maintain the traditional production method of Chinese furniture characterized by "tenon-mortise structure" and some basic techniques, and the second is to contain the elements and characteristics of traditional Chinese culture.
With the popularity of a series of domestic modern furniture on the market, Chinese traditional furniture can gradually be out of sight, but abroad, Chinese traditional furniture is very popular. Chinese traditional furniture generally refers to various types of furniture based on traditional shapes and practices and developed on the basis of inheriting traditions, including all kinds of furniture made of mahogany, hardwood, neutral wood and other materials. In terms of production technology and product appearance, the first is to maintain the traditional production method of Chinese furniture characterized by "tenon-mortise structure" and some basic techniques, and the second is to contain the elements and characteristics of traditional Chinese culture.
The production of traditional furniture is a special field in China's furniture industry. The special feature is that the production of traditional furniture was originally our "national quintessence". It is the basic form of our country's production and production of furniture that lasts for hundreds of years to thousands of years. However, due to historical reasons, this production method has been split for a period of time.
When traditional furniture production resumed again, this production method was no longer mainstream in the entire furniture production. In modern life, it appears backward and weak in the face of mechanized, automated and large-scale modern furniture production. After all, this is an ancient production method mainly based on labor, which is difficult to compare with modern production. An ancient mode of production seems to have withdrawn from the stage of history. However, due to some special factors, it has obtained opportunities for development and a new life. One of this opportunity is the continuous collection of “Ming style†furniture at home and abroad and even the collection of traditional Chinese furniture since the last century. Another opportunity is China's reform and opening up. The reform and opening up has ushered in a spring of Chinese traditional furniture that has not been seen in the past one or two hundred years.
One of the most striking points in Chinese traditional furniture is the use of carving techniques, but I mention "sculpture" here because I think there is a big "shaping" component. "Vulture" in sculpture is subtraction, and "plastic" is addition. In the manufacture of furniture , the unnecessary parts of wood are carved away, and the mahogany is connected with the materials of other parts through a tenon and mortise structure to be plastic. Therefore, traditional Chinese furniture contains stable and atmospheric factors in Chinese architecture and sculpture.
Chinese traditional furniture fully embodies the "material beauty". This is the obedience to the "heaven" and the "Tao", not covering up creation with human beings. The wood used in Chinese traditional furniture, whether it is precious hardwood or neutral and soft wood, pays attention to expressing the natural color and natural texture of the material. Especially when the material is opened, the beauty of the wood texture direction is used. During the production, the cross section of the wood is hidden by a tenon joint. Pay attention to the use of high-quality wood in the selection of materials. The reason why furniture in the Ming and Qing Dynasties is precious is related to the materials "Pterocarpus" and "Huanghuali". After waxing and polishing, the beauty of the material itself is more revealed. Ike said in the "Chinese Huali Furniture Illustration": "The main artistic charm of these products is innocence, softness in rigidity, and flawless smoothness and symmetry."
In the mahogany furniture industry today, mahogany furniture to the world is an inevitable trend. After more than 30 years of development, China's mahogany furniture has been gradually adopted and admired by people who love Chinese culture in the world. In some areas of Western countries such as Europe and the United States, mahogany furniture is regarded as the same as ceramics and silk. "Chinese Quintessence" has a high evaluation and affirmation. Take Shenzhen mahogany furniture manufacturers for example, a considerable number of products are exported to more than 10 countries in the world. According to incomplete statistics at this stage from 2002 to 2010 , Shenzhen mahogany furniture brand enterprises The export share accounts for about 15% of its annual sales . This shows that our mahogany furniture company has already pushed the market to the world.
As for how to make China's mahogany furniture truly go to the world, the author believes that the most important point is that in addition to excellent quality and service, it is more important for the world to have a comprehensive understanding of our mahogany home and our traditional culture and traditions. We have a deeper understanding of craftsmanship, and let the world perceive that our furniture is not only household products, but also art and cultural products.
The high price and high value status of Chinese traditional furniture is not the result of self-hype in the domestic industry, but it is precisely the large-scale acquisition of traditional furniture by major Western art institutions and museums in China as a top art collection, which triggered domestic The prosperity and development of the traditional furniture industry. Chinese traditional furniture should seek breakthroughs in learning. "Da Vinci" can sell a piece of furniture from 30,000 yuan to 300,000 yuan, which also shows that its brand value has been maximized. Chinese traditional furniture should go to the world, and we must strive for excellence in craftsmanship, material selection, marketing, branding, and innovation, so that Chinese traditional furniture should not only be industrial products, but also artworks.
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